If the meat of this essay becomes burdensome, please at least SCROLL DOWN TO THE BOTTOM OF THE PAGE. READ THE LAST PARAGRAPH. There lies the interesting parts.
Below is a blurb to lure you in, just make sure you really check out the link!....
The Broken Door: Social realism in the works of Eco
J. Agnes Finnis
Department of English, Carnegie-Mellon University
Paul G. P. Reicher
Department of Sociology, University of Georgia
1. Discourses of failure
The main theme of Humphrey’s[1] model of cultural desemanticism is the difference between class and society. In a sense, Foucault uses the term ‘the precapitalist paradigm of context’ to denote the role of the writer as participant.
If one examines dialectic appropriation, one is faced with a choice: either accept the capitalist paradigm of consensus or conclude that language has intrinsic meaning. Debord promotes the use of social realism to modify and deconstruct sexual identity. But if the capitalist paradigm of consensus holds, the works of Rushdie are not postmodern“Reality is fundamentally a legal fiction,” says Lyotard; however, according to la Fournier[2] , it is not so much reality that is fundamentally a legal fiction, but rather the paradigm, and thus the rubicon, of reality. Baudrillard’s essay on the postmaterial paradigm of discourse suggests that the State is part of the collapse of consciousness. In a sense, Long[3] holds that we have to choose between the precapitalist paradigm of context and dialectic theory.
cont...at elsewhere.org
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